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Friday, 10 February 2017 08:27

The Gathering - Carmarthenshire

The Gathering is a floating population of improvisers in various media but mostly music which is spontaneously created in the moment.

Published in Wales
Thursday, 26 January 2017 12:24

The Gathering - Liverpool update

The Gathering Liverpool - an update, news item

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Listen to the Voice of Fire

experimental music alchemy
  • Coming Soon…Thursday 1st November 8pm
    Just a quick note, I have closed the Call for performers as it looks now that we are chock-full for November. Line-up to be announced soon. Ahh it will be good. Really exciting line-up with deviations from anything that I ever imagined but should be super. I am currently planning what will happen in March […]
  • Mike McInnerney
    Performing along with Duncan Chapman on 12th July 2018. Mike McInerney plays shakuhachi and piano. Has studied mathematics and music at the University of York and has a Ph. D from Dartington College of Arts. He works with interactive technology, computer-generated sounds and live processing to create new music for Japanese shakuhachi flute, and other […]
  • Richard Craig
    Hailing from Clydebank, Scotland, Richard Craig has come to establish himself as one of the leading performers of new music. He has performed alongside ensembles such as MusikFabrik Köln, Klangforum Wien, and as a soloist he has been the dedicatee of many works for flute. As a composer/improviser he has been involved in an ongoing […]
  • The Sound Projector
    Very interesting review from the mighty Ed Pinsent of the last Listen to the Voice of Fire. See here:  http://www.thesoundprojector.com/2018/03/17/heat-light-and-fire/ Insightful comments regarding the split of noisy to introspective in the program as well as the reckoning of the (over) long AV piece, spell  binding but whatever happened to agreed fifteen minutes, some imbalance perhaps. […]
  • Toshimaru Nakamura
    Toshi Nakamura is probably one of the most important electronic composers of the 21st century. His instrument is the no-input mixing board, which describes a way of using a standard mixing board as an electronic music instrument, producing sound without any external audio input. The use of the mixing board in this manner is not […]